'I own 3 GT-10's. Wrote all of my own patches, was quite content. Then I found this site - never knew the true potential of the unit until I utilized these patches. Driver Sound Ac97 Wdm Download Windows 7.

But I could help you change the pot on your gt-8! The 1st step is to download the proper gt-8 service manual and schematic:Based on the schematic diagram, you need to replace the old pot with a stereo 50Kohm 'audio taper' one. BOSS GT-10 Patches - Best Guitar Multi Effects Pedal Processor The BOSS GT-100, Line 6 POD HD500X Helix, Fractal Audio Axe-Fx II XL+ AX8 FX8 will not import BOSS GT.

They breathe a whole new life into the processors. The patches made my guitar sound so much more spacious and alive - no comparison!!!! Yes, I have purchased some cheaper patches prior, was not happy - mine were as good, or better. I took a leap of faith and bought one from here. I was totally awestruck!!!

This man knows the unit, hands down. Truth is, as musicians seem to learn the hard way - you get what you pay for!!! These are worth the money - yes I bought more after using the first one - my band-mates were totally impressed as well, in both bands. Just be sure you are a stereo player to utilize the total effect of these patches.

I play stereo on-stage, and thru the PA. These patches do make a huge difference!!! Thanx James!!!' -John (Lebanon, PA). Now your guitar can sound like Eddie Van Halen, Joe Satriani and other guitarist's studio album guitar sound with BOSS GT-10 Patches by James Limborg: 1. Listen to how your guitar could sound with BOSS GT-10 Patches by James Limborg below. Read all of the information about these BOSS GT-10 patches below.

Get a great deal on a used BOSS GT-10 at. Buy some BOSS GT-10 Patches by James Limborg by clicking the BUY NOW buttons below. The more you buy the less you pay for each patch [1-4 patches = $30.00/each, 5-19 patches = $18.00/each, 20-65 patches = $13.50/each, 66-251 patches = $9.00/each, all-252 patches = $4.50/each]. 1/5/20 patches orders will be e-mailed to you and 66/252 patches orders will be placed on a cd and mailed from Roseville, Minnesota to your home address [Note: I will e-mail the tracking number to you and you will have to sign for the package when it arrives]. SOLD IN ALL COUNTRIES 5. Send a list of the BOSS GT-10 Patches that you want through my page. The BOSS GT-10 Patches into your BOSS GT-10.

Listen through a high-quality stereo FRFR (Full Range Flat Response) amp and speakers sound system (including headphones, studio monitors, PA speakers, keyboard amp, or cinema/home/computer audio system). Make sure to use the correct pickup and volume settings on your guitar for each patch to sound as it should. 5 patches ($18/ea) $90 20 patches ($13.50/ea) $270 66 patches ($9/ea) $594 252 patches ($4.50/ea) $1,134.00. Buy some BOSS GT-10 Patches by James Limborg by clicking the BUY NOW buttons below.

The more you buy the less you pay for each patch [1-4 patches = $30.00/each, 5-19 patches = $20.00/each, 20-59 patches = $15.00/each, 60-244 patches = $10.00/each, all-252 patches = $5.00/each]. 1/5/20 patches orders will be e-mailed to you and 60/252 patches orders will be placed on a cd and mailed from Roseville, Minnesota to your home address [Note: I will e-mail the tracking number to you and you will have to sign for the package when it arrives]. SOLD IN ALL COUNTRIES.

This is a scrolling window: AC/DC: For the AC/DC patches I have my volume at about 60% for rhythm parts and 100% for solo sections. Some of the patches have the control pedals assigned to effects (delay, reverb, pitch shifter, etc.), and on other patches the control pedals are off. AEROSMITH: For Walk This Way Rhythm patch the CTL-1 pedal adds a guitar to the right speaker, and the CTL-2 pedal puts the guitar in the center.

Use the lead pickup (in dual-coil mode) for the intro and verses, rhythm pickup (in dual-coil mode) for the stereo bar chords, and both the rhythm and lead pickups (in dual-coil mode) for the short-answer-chords in the chorus section. ALABAMA, LIONEL RICHIE: For Deep River Woman the CTL-1 pedal changes from the intro/ending guitar sound to the left-speaker guitar sound. BEN VAUGHN: For 3rd Rock From The Sun Intro/Rhythm the CTL-1 pedal switches from the Intro sound to the Rhythm sound. BOB MARLEY: For Is This Love the CTL-1 pedal turns the Delay effect on/off, the CTL-2 pedal switches to the center guitar sound. BOB SEGER: For Her Strut 1 patch the CTL-1 turns the Reverb effect ON for use from the middle break-down section through the end of the song.

For Her Strut 2 patch the CTL-1 pedal when held-down turns the Delay effect ON, the CTL-2 pedal will reverse the delays from left-to-right to right-to-left, and the EXP-1 pedal in the UP position places the guitar in the center and in the DOWN position places the guitar in both left and right speakers for the high E with B-string parts. BOSTON: For Foreplay/Long Time Rhythm patch the CTL-1 pedal when pushed will remove some bass frequencies (creating a more-treble guitar sound) for use after the intro (Foreplay) section. For Foreplay/Long Time Solo patch the CTL-1 pedal turns the delay on/off, CTL-2 pedal turns Chorus on/off, and when the EXP-1 pedal is moved down it adds full reverb and sustaining delays. For Foreplay/Long Time Effects patch the CTL-1 pedal when pushed will add full sustain to the delay effect, and the EXP-1 pedal when pushed downward will increase the speed of the delay effect.

For Hitch A Ride Distortion2 the CTL-1 pedal will switch from mono-guitar to stereo-guitars with delay and reverb ON, and the CTL-2 pedal will turn off/on the Delay effect. For Peace Of Mind Lead patch the CTL-1 pedal switches from STEREO to MONO guitar mode, the EXP-1 pedal in the UP position puts the guitar LEFT and in the DOWN position puts the guitar RIGHT, the CTL-2 pedal switches back to STEREO guitars. For Hyperspace Pedal Effect patch the CTL-1 pedal turns 3 effects (including reverb) off/on, and the CTL-2 pedal makes the delay last longer/shorter. For Rock And Roll Band Lead the CTL-2 pedal turns the EXP-1 Wah-effect on/off.

For Smokin' the CTL-1 pedal adds a guitar to the center-channel and adds more of the Chorus effect, and the CTL-2 pedal turns the Phaser effect on/off. BRAD PAISLEY: For Ticks the CTL-1 pedal turns the Tremelo effect on/off, the CTL-2 pedal turns the Delay effect off/on. For Ticks Wah Wah Effect the CTL-1 pedal puts the guitar in the center, the CTL-2 pedal places the guitar from the left to the right speaker, the EXP-1 pedal in the UP position is the low-frequency wah-effect sound, the EXP-1 pedal in the DOWN position is the high-frequency wah-effect sound [Note: Moving the EXP-1 pedal from the UP position to the DOWN position gradually changes from the low-frequency wah-effect sound to the high-frequency wah-effect sound]. For Ticks Tremelo Effect the CTL-1 pedal turns the Tremelo effect off/on, the EXP-1 pedal in the UP position is the low-frequency wah-effect sound, the EXP-1 pedal in the DOWN position is the high-frequency wah-effect sound [Note: Moving the EXP-1 pedal from the UP position to the DOWN position gradually changes from the low-frequency wah-effect sound to the high-frequency wah-effect sound].

For Online the CTL-1 pedal switches to the right-speaker guitar sound, the CTL-2 pedal turns the Tremelo effect on/off. For All I Wanted Was A Car the CTL-1 pedal changes the Delay settings, the CTL-2 pedal turns the Delay effect off/on. BRYAN ADAMS: For Summer Of '69 press the CTL-1 pedal for the ending guitar soloing. CHUCK BERRY: For Johnny B.

Goode the CTL-1 pedal changes to the dry (less-reverb) solo sound, the CTL-2 pedal adds more-reverb for the middle-of-song solo-section. DEEP PURPLE: For Smoke On The Water the CTL-1 pedal adds another guitar to the right speaker, and the CTL-2 pedal puts the guitar in the center, changes the reverb settings, and lowers the pre-amp gain level. DEFTONE: For John Lennon Jealous Guy patch the EXP-1 pedal gradually changes from clean-electric (down) to crunch-distortion (up), and with the EXP-1 pedal UP pressing the CTL-1 pedal switches to full-distortion, and the CTL-2 pedal switches from stereo (left and right) guitars to one guitar in the center channel only. ERIC CLAPTON: For Tears In Heaven the CTL-1 pedal moves the guitar from the center to the left-speaker.

For Layla the CTL-1 pedal switches from the rhythm-sound to the chorus-melody-sound and the CTL-2 pedal switches from the rhythm-sound to the left-verse-melody guitar sound [Note: Turn-OFF the CTL-1 pedal before turning-ON the CTL-2 pedal (and vice-versa)]. For Crossroads (by Cream) the CTL-1 pedal lowers the Reverb effect level and the CTL-2 pedal places the guitar from the right-speaker to the center. For Lay Down Sally the CTL-1 pedal switches from the left-guitar-sound to the right-guitar-sound. For Cocaine the CTL-1 pedal switches from the solo-guitar-sound to the right-guitar-sound and the CTL-2 pedal switches from the right-guitar-sound to the left-guitar-sound [Note: Only press the CTL-2 pedal after the CTL-1 pedal has been pressed]. For I Shot The Sheriff the CTL-1 pedal switches from the left/rhythm-guitar sound to the center-guitar sound and the CTL-2 pedal switches from the left/rhythm-guitar sound to the stereo-melody-guitar-sound. For Change The World Acoustic the CTL-1 pedal moves the guitar from the right-speaker into the left-speaker, and the CTL-2 pedal places the guitar in the center.

ERIC JOHNSON: For Cliffs Of Dover the clean electric sound is heard by having the EXP-1 pedal in the DOWN position, distortion in the UP position, with crunch distortions inbetween. EUROPE: For Open Your Heart Distortion the CTL-1 pedal places the guitar in the center, adds delay, and increases the reverb effect volume. GARY MOORE: For Still Got The Blues the CTL-1 pedal switches from the distortion sound to the clean sound and the CTL-2 pedal turns the reverb and delay off (for the verse sections).

GEORGE BENSON: For the Breezin' Album patch the CTL-1 pedal turns a tremelo-effect on/off, the CTL-2 pedals turns the reverb off/on. GUNS N ROSES: For Night Train the CTL-1 pedal changes the left-guitar (Preamp-A) from full-distortion to a cleaner crunch-distortion sound, and the CTL-2 pedal switches from stereo guitars (left and right) to mono guitar (center channel only, Preamp-A). For Sweet Child Of Mine Intro/Solo the CTL-1 pedal switches from the intro-sound to the solo-sound. For Sweet Child Of Mine 4 the CTL-1 pedal switches from the left-speaker-guitar to the right-speaker-guitar and the CTL-2 pedal lets you use both (the left-speaker-guitar and the right-speaker-guitar at the same time). HEART: For Barracuda the CTL-1 pedal places the guitar from the right-speaker to the left-speaker, the CTL-2 pedal switches to the solo-sound, the EXP-1-Pedal-Switch turns the Reverb effect on/off. JERRY REED: For East Bound And Down (Smokey And The Bandit Theme Song) the CTL-1 pedal switches from the verse-sound to the solo-sound and the CTL-2 pedal adds a doubling-effect to the solo-sound. JIMI HENDRIX: For Purple Haze 1 the CTL-1 pedal removes some bass-frequencies for using after the 8 intro notes and the CTL-2 pedal turns the Delay effect on/off.

For All Along the Watchtower the CTL-1 pedal switches from the solo guitar sound to the verse guitar sound, the CTL-2 pedal turns the Panning effect on/off (for the slide and wah wah guitar parts), and the EXP-1 Pedal Switch turns the wah wah effect on/off [Notes: For the intro solo and verses use the rhythm/neck pickup in single-coil mode. Switch to the lead/bridge pickup in single-coil mode for some of the other solos. For the slide guitar sound tune the high-E string down a whole step and use the rhythm/neck pickup in single-coil mode. For the wah wah solo use the rhythm/neck pickup in single-coil mode.

Jimi Hendrix plays a lot of the solo notes with a soft touch]. For Voodoo Child the CTL-1 pedal switches from the crunch-distortion sound to full-distortion, the CTL-2 pedal turns the Panning and Chorus effects on (if you want your guitar to pan from left to right and right to left automatically, the EXP-1 Pedal Switch turns the Wah Wah effect on/off [Notes: For the intro use the rhythm/neck pickup in single-coil mode.

Jimi Hendrix turns the Wah Wah effect off soon after the intro (turning it back on later in the song) and switches from the rhythm/neck pickup to the lead/bridge pickup often throughout the song. When switching to the lead/bridge pickup have it in single-coil mode]. For The Wind Cries Mary the CTL-1 pedal switches from the intro rhythm guitar sound to the solo guitar sound, and the CTL-2 pedal reduces the amount of reverb for the last 75% of the guitar solo. For Little Wing the CTL-1 pedal switches from the intro sound to the full-stereo effect sound and the CTL-2 pedal (with the CTL-1 pedal active) is for the guitar solo sound. For The Star Spangled Banner Woodstock 1969 the CTL-1 pedal turns the pulsing effect off, the CTL-2 pedal makes the pulsing go a little faster, and the EXP-1 Pedal Switch turns the Wah Wah effect on/off [Tip: Approximately half way into the music switch to the lead/bridge pickup in single-coil mode for a brighter (more treble) sound]. For Hey Joe the CTL-1 pedal switches from the intro (louder volume) sound to the verse (lower volume) sound and the CTL-2 pedal switches from the intro (louder volume) sound to the right-speaker solo guitar sound.

For Fire the CTL-1 pedal increases the Preamp Gain for the four bright distortion chords just before the guitar solo and the CTL-2 pedal switches to the guitar solo sound [Note: Use the lead/bridge pickup in single-coil mode for the four chords before the guitar solo and for the guitar solo]. For Castles In The Sand the CTL-1 pedal increases the Preamp Gain (for after the intro and before the ending) which adds more bass frequencies and distortion, the CTL-2 pedal is for the ending and makes the guitar sound pan back and forth from the right to the left speaker [Note: Use the lead/bridge pickup in single-coil mode for this ending guitar sound], and the EXP-1 pedal is for the ending and reduces the guitar volume.

For Foxy Foxey Lady the CTL-1 pedal switches from the intro guitar sound to the clean guitar sound, the CTL-2 pedal switches from the intro guitar sound to the guitar solo sound, and the EXP-1 Pedal Switch switches from the intro guitar sound to the 3 chords (F#, E, and B) guitar sound. JOE SATRIANI: For Surfing With The Alien Lead the CTL-1 pedal places the guitar in the center and the CTL-2 pedal turns the Wah effect off/on.

For Satch Boogie the CTL-1 pedal switches from the intro/ending-sound to the solo-sound and the CTL-2 pedal switches from the intro/ending-sound to the Flanger-effect-sound. For Ten Words the CTL-1 pedal switches to the clean-electric sound and the CTL-2 pedal turns the Wah-effect off/on. For Always With Me Always With You use the Rhythm/Neck-pickup in dual-coil mode for the intro-sound and the Lead/Bridge-pickup in single-coil mode for the brighter-guitar-sound. For Flying In A Blue Dream Distortion Solo the CTL-1 pedal changes the sound (for the 4 high-note melodies). For Summer Song the CTL-1 pedal changes the Delay effect from a stereo-delay to a mono-delay, the CTL-2 pedal switches to the stereo rhythm guitars sound [Note: Use the mono-delay effect for the rhythm guitars sound], the EXP-1-Pedal-Switch turns the Wah effect ON for the solo-sound [Note: Use the mono-delay effect for the solo-sound]. For 'If I Could Fly' the CTL-1 pedal increases the Preamp Gain Level (for after the intro melody notes) and the CTL-2 pedal increases the Reverb Effect Level (for the high-sustaining notes). For 'If I Could Fly Acoustic' the CTL-1 pedal adds some distortion for the break-down section.

JOHN PARKER: For CHiPs TV Theme Song the CTL-1 pedal turns the Phaser effect ON. JOURNEY: For the Lights patch the CTL-1 pedal turns the Chorus effect on/off (for the rhythm fill/melody-note parts and bridge-section of the song for a fuller sound), the CTL-2 pedal changes to the solo sound, the EXP-1-Pedal-Switch turns the Delay effect on/off for the short high-E string-bend towards the beginning of the solo. JUDAS PRIEST: For You've Got Another Thing Comin' the CTL-1 pedal switches to a clean-chorus sound and the CTL-2 pedal switches to the solo-sound.

LARRY CARLTON: For Magnum P.I. TV Theme Song (Seasons 3-8) the CTL-1 pedal increases the Delay Effect Level for the ending (after the solo) section. LYNYRD SKYNYRD: For Sweet Home Alabama the CTL-1 pedal switches from the intro-sound to the solo-sound and the CTL-2 pedal switches from the intro-sound to the left-speaker guitar-sound [Guitar Pickup Settings: For the intro-sound the rhythm/neck-pickup should be in single-coil mode and the lead/bridge-pickup should also be in single-coil mode. For the left-speaker guitar-sound the rhythm/neck-pickup should be OFF and the lead/bridge-pickup should be in single-coil mode. For the solo-sound the rhythm/neck-pickup should be in single-coil mode and the lead/bridge-pickup should be in dual-coil mode]. METALLICA: For Enter Sandman Rhythm patch the CTL-1 pedal puts the guitar in the left-speaker, the CTL-2 pedal puts the guitar in the right-speaker. MXR PHASE 90, MXR FLANGER: To make these patches I connected an Eddie Van Halen MXR Phase 90 and MXR Flanger pedal to the Ext.

Loop Send/Return on the back of the BOSS GT-10. I was able to make the Phaser and Flanger effects inside the BOSS GT-10 sound identical. For the MXR Phase 90 patch: I made the CTL-1 footswitch function as the Script-switch and the EXP-1 pedal function as the Speed knob. For the MXR Flanger patch: Listening to Van Halen songs I was able to find the one setting Eddie Van Halen used on his MXR Flanger effects pedal (Manual: 3.1 o'clock, Width: 1 o'clock, Speed: 10 o'clock, Regeneration: 1.5 o'clock). It's this setting that I duplicated in the BOSS GT-10.

With these patches view the FX-1 (Phaser/Flanger) settings, write them down, and then apply them to any BOSS GT-10 patch you own for that authentic MXR Phase 90/Flanger sound. OZZY OSBOURNE: For the Ozzy Osbourne Crazy Train Rhythm patch the CTRL 1 pedal turns on/off a stereo delay for the intro pick effect. For Ozzy Osbourne Bark At The Moon Rhythm patch CTRL 1 is for the low-E string stereo-delay effect, CTRL 2 is a 2dB volume-boost for those areas of the music where the guitar is noticeably louder, and the EXP. 1 pedal in the UP-position is stereo guitar and in the DOWN-position is mono guitar. PINK FLOYD: For Comfortably Numb the CTL-1 pedal changes from the middle-solo to the ending-solo guitar sound. For Another Brick In The Wall Clean the CTL-1 pedal switches from the PART-1 clean sound to the PART-2 clean sound [having more treble, no reverb] and the CTL-2 pedal changes the PART-2 clean sound to the PART-3 clean sound [which removes the delay and has a different stereo sound].

For Another Brick In The Wall Distortion I start with the EXP-1 pedal in the down-position (which lowers the volume a little); Press the CTL-1 pedal to turn off the Flanger effect; The CTL-2 pedal lowers the volume and increases the Reverb Effect Level for the [Part 3] melody notes and rhythm parts [Notes: After playing the 'D' chord gradually increase the volume by moving the EXP-1 pedal from the low-position to the high-position. For the melody notes section have the rhythm/neck-pickup in dual-coil mode with the lead/bridge-pickup turned OFF]. For Run Like Hell the CTL-1 pedal switches from the intro (mono) sound to the stereo (palm muted open D string) sound and the CTL-2 pedal changes the stereo (palm muted open D string) sound to the strumming chords sound. For Young Lust the CTL-1 pedal switches from the rhythm (full-stereo) sound to the guitar solo sound.

What is the Roland BOSS GT-10? • The Roland BOSS GT-10 is an electric guitar preamp multi-effects processor pedal. • The BOSS GT-10 has tons of effects that can be added to your electric guitars sound [Delay, reverb, tremolo, chorus, flanger, pitch shifter, harmonizer, and a lot more]. • The BOSS GT-10 has lots of clean/crunch/distortion amp modeling, speaker modeling, and microphone modeling sound options. • The BOSS GT-10 is an ALL-IN-ONE guitar effects unit which lets you save 200 of your own custom guitar sounds (called User Presets). What is a BOSS GT-10 Patch? • A BOSS GT-10 patch is a computer file that contains all of the settings for one BOSS GT-10 User-Preset.

• You can have up to 200 patches installed into the BOSS GT-10 (but have as many BOSS GT-10 patches as you want saved on your computer). Why do BOSS GT-10 Patches by James Limborg sound so amazing? • I use the Creamware 64-band spectrum analyzer [shown in my video below] to show me where I need to set all 64 (bass, mid, treble) frequency bands. • I use a VU meter [Shown at the top-right of my video] which shows me exactly where [left, center, right] to place the guitar sound. • Then I use my ears to add all of the effects [Delay, Reverb, Chorus, Phaser, Flanger, etc.].

This is why it takes me 4 to 30+ hours (1 to 3 days) to make just one BOSS GT-10 patch. With a BOSS GT-10 and BOSS GT-10 Patches by James Limborg your guitar can sound like Eddie Van Halen, Boston, AC/DC, Def Leppard, Steve Vai, Joe Satriani and other guitarist's studio guitar sound. No more searching for that EVH brown-sound, Boston guitar sound, AC/DC, Steve Vai, Joe Satriani guitar tone. Now your guitar can have all of those studio guitar sounds with a BOSS GT-10 and my BOSS GT-10 Patches. My BOSS GT-10 patches will sound best if you connect the BOSS GT-10 (stereo) into some powered studio monitors (or PA speakers, your bands PA system, keyboard amp, home stereo system, headphones). I have (both) my BOSS GT-10 and PC computer connected to a Mackie 802-VLZ3 mixing board and Event 20/20BAS studio monitors; and both my computer and BOSS GT-10 sound great.

BOSS JS-8 Patches: • My BOSS GT-10 Patches will work in a BOSS JS-8 as long as you manually enter in all of the patch settings. BOSS GT-100 Patches BOSS JS-10 Patches: • Some people have successfully transferred BOSS GT-10 patches into a BOSS GT-100; But because the BOSS GT-100 doesn't have all of the same preamp-types as the BOSS GT-10 has, not all BOSS GT-10 patches will transfer accurately into a BOSS GT-100. In addition, BOSS GT-10 patches have to be manually entered into a BOSS GT-100. This is why I recommend installing my BOSS GT-10 Patches into a BOSS GT-10.

Flagship GT power on your desktop. The GT-001 packs the acclaimed amps and effects of the flagship GT-100 Version 2.0 in a stylish desktop processor for your home studio or mobile rig. Its small size fits easily into any workspace, while the intuitive interface makes it simple to dial up world-class tones for recording and practice. In addition to the guitar input, an XLR mic input is included for capturing vocals or acoustic instruments, and the built-in USB audio/MIDI interface provides a direct connection for creating music with your favorite DAW. Like the GT-100, the GT-001 offers powerful sound creation possibilities with dual amps and effects chains and flexible routing options.

On top of that, a newly developed guitar-to-MIDI function lets you have fun with Guitar Friend Jam and other computer programs from a normal guitar input-no special pickup required! Available as a free download, the BOSS TONE STUDIO software provides a cool graphical interface for tweaking tones from your computer, plus access to BOSS TONE CENTRAL for free studio-ready patches and much more. Download Gems Of War. Comments about Boss GT-001 Guitar Effects Processor: I am using the GT001 for home recording and so far am extremely pleased with it. It is very compact and so can go either on a desk surface or the floor. I do not use this for playing out, but it seems to be built like a truck; for gigging, the only problem I would anticipate is its light weight.

Unlike many very small devices that tend to have a lot of 'secret codes' to remember in their user interfaces, this one is very intuitive and easy to use. I replaced a Line6 POD X3 with this (because of reliability issues and the clunky Line6 user interface), and find the Boss unit much easier to dial in. For those who like a printed manual, the one supplied is small but pretty good, and it's easy to find what you want.

The GT001 controls are thoughtfully designed, and the display is quite useful despite being rather small. The presets are nicely done, although (as has been mentioned here) they tend to be heavy on the distortion. Happily, this is easy to change. The ability to change details of each effect as well as their order in the signal chain is good, and nicely implemented in the user interface. For recording, the ability to grab both the clean and effected signals is a big plus. In all, an excellent piece of gear at a very reasonable price. In case it's not clear from the sales page and from what others have written, this unit is the GT100 in a (much) smaller package, for much less money.

If you're intending to use it for recording, this is a clear choice and a real bargain. If you are going straight from this unit to an audio interface or computer, the interface is USB only (no Firewire or Thunderbolt), but works just fine. Comments about Boss GT-001 Guitar Effects Processor: I did Digi, I did Zoom, I even did Arion back in the day. But this one. SO versatile, SO dynamic. Tiny little desktop unit that sounds like it should be in a six-foot cabinet.

Any tone you want. Gibbons, Hendrix, Richards, Van Halen, Allman, and everything in between. I put an old Kramer and a Les Paul Traditional into it, and it spit back the best sounds I ever heard from my old workhorses.

Thought I was happy when I got it a few weeks ago. But it just keeps exceeding my expectations. The Boss Tonelab software is just awesome. I'm done shopping for effects.