The Alien vs. Predator franchise is littered with canonical holes and continuity problems. However, it is pretty clear that the primary Alien films, Predator films, and Prometheus are all canon. The Alien vs Predator films are not canon, but I’ve included them anyway, just for fun. There are also a lot of video games, books, and comic books in the series. Most of these are non-canon, but Fox did endorse the recent two Alien video games as canon, so I’ve included those as well. Samsung Galaxy Grand Neo Usb Driver For Windows Xp Free Download. So hopefully that’s not too confusing. For those who want to see all of the comics and books that are part of the Alien/Predator timeline, I’m sorry there’s little I can do here, since this timeline focuses just on the canon.

Little of the tie-in media has any care for continuity. But with pop culture’s recent glorification of “canon” there may be some comics or novels that become part of this timeline in the future, especially with more films on the horizon. This timeline does, however, include the novelizations for certain films, so you can enjoy reading those at least. Here’s the Alien/Predator story timeline. Hide Films Hide Novels Hide Games # Time: Buy: Name: Type: Author/Director: Year: Notes: 1 1980's Predator Film John McTiernan 1987 2 1980's Predator 2 Film Stephen Hopkins 1990 3 Modern Predators Film Nimrod Antal 2010 4 Modern The Predator Film Shane Black 2018 5 Modern Alien vs Predator Film Paul W.

Anderson 2004 6 Modern Alien vs Predator Requiem Film Colin Strause 2007 7 2093 Prometheus Film Ridley Scott 2012 8 2103 Alien: Covenant Film Ridley Scott 2017 9 2122 Alien Film Ridley Scott 19 Alien Novel Alan Dean Foster 19 Alien: Isolation Game The Creative Assembly 20 Aliens Film James Cameron 19 Aliens Novel Alan Dean Foster 1986 14 Shortly after 2179 Alien 3 Film David Fincher 1992 15 Shortly after 2180 Alien 3 Novel Alan Dean Foster 1992 16 Shortly after 2181 Aliens: Colonial Marines Game Gearbox Software 20 Alien: Resurrection Film Jean-Pierre Jeunet 19 Alien: Resurrection Novel A. Crispin 1997.

: Hesiod and the Muse (1891)—, Paris The earliest known records of the Nine Muses are from, the homeland of. Some ancient authorities thought that the Nine Muses were of origin. There, a tradition persisted that the Muses had once been three in number. In the first century BC, quotes Hesiod to the contrary, observing: Writers similarly disagree also concerning the number of the Muses; for some say that there are three, and others that there are nine, but the number nine has prevailed since it rests upon the authority of the most distinguished men, such as and Hesiod and others like them. Diodorus also states (Book I.18) that first recruited the nine Muses, along with the, while passing through, before embarking on a tour of all Asia and Europe, teaching the arts of cultivation wherever he went. According to Hesiod's account (c. 600 BC), generally followed by the writers of antiquity, the Nine Muses were the nine daughters of and (i. e.

The question before me is, “Whether the Restoration of the arts and sciences has had the effect of purifying. And magnificence: and it is doubtless in the same respect that our own age and nation will excel all. 6 It is easy to see the allegory in the fable of Prometheus: and it does not appear that the Greeks, who chained.

'Memory' personified), figuring as personifications of knowledge and the arts, especially literature, dance and music. The Roman scholar (116–27 BC) relates that there are only three Muses: one born from the movement of water, another who makes sound by striking the air, and a third who is embodied only in the human voice. They were called or 'Practice', or 'Memory' and or 'Song'. Gameplayer Download Ios No Jailbreak here. Three ancient Muses were also reported in 's (46–120 AD) Quaestiones Convivales (9.I4.2–4). However, the understanding of the Muses tripled their triad and established a set of nine goddesses, who embody the arts and inspire creation with their graces through remembered and song and mime, writing, traditional music, and dance.

It was not until times that the following systematic set of functions was assigned to them, and even then there was some variation in both their names and their attributes: (), (history), (flutes and lyric poetry), (comedy and pastoral poetry), (tragedy), (dance), (love poetry), (sacred poetry), (astronomy). Thalia, Muse of comedy, holding a comic mask (detail from the “Muses Sarcophagus”) According to 's (seventh century BC), they were daughters of, the second generation king of the gods, and the offspring of, goddess of memory. For and, they were even more, springing from the early deities, and.

Gaia is, an who was worshipped at from prehistoric times, long before the site was rededicated to Apollo, possibly indicating a transfer to association with him after that time. Sometimes the Muses are referred to as water, associated with the springs of and with. It was said that the winged horse touched his hooves to the ground on Helicon, causing four sacred springs to burst forth, from which the Muses were born. Later tamed the horse and presented him to the Muses. (Compare the Roman inspiring nymphs of springs, the, the of and also the in the mythology of classical.) Classical writers set as their leader, Apollon Mousagetēs ('Apollo Muse-leader').

In one myth, the Muses judged a contest between and. They also gathered the pieces of the dead body of, son of, and buried them in. In a later myth, challenged them to a singing contest. They won and punished Thamyris by blinding him and robbing him of his singing ability. According to a myth from 's Metamorphoses—alluding to the connection of the Muses with Pieria—King, king of, had nine daughters he named after the nine Muses, believing that their skills were a great match to the Muses.

He thus challenged the Muses to a match, resulting in his daughters, the, being turned into chattering for their presumption. Records a tradition of two generations of Muses; the first are the daughters of and, the second of and. Another, rarer genealogy is that they are daughters of (the daughter of and ), which contradicts the myth in which they were dancing at the wedding of and. The Muse of sacred, sacred and as well as agriculture and. Muse Domain Emblem,,,,,,, and (an like a ),, (an in the family), (or any kind of ),, (boots), (referring to her as an agricultural goddess),, (the act of pulling someone off the stage with a hook is a reference to Thalia's crook), wreath and Some Greek writers give the names of the nine Muses as,, Eunike,, Terpsichore, Euterpe, Eukelade,, and Enope. In and art, the dissemination of such as 's Iconologia (1593 and many further editions) helped standardize the depiction of the Muses in sculpture and painting, so they could be distinguished by certain props. These props, or, became readily identifiable by the viewer, enabling one immediately to recognize the Muse and the art with which she had become associated.

Here again, Calliope (epic poetry) carries a writing tablet; Clio (history) carries a scroll and books; Euterpe (song and elegiac poetry) carries a flute, the; Erato (lyric poetry) is often seen with a lyre and a crown of roses; Melpomene (tragedy) is often seen with a tragic mask; Polyhymnia (sacred poetry) is often seen with a pensive expression; Terpsichore (choral dance and song) is often seen dancing and carrying a lyre; Thalia (comedy) is often seen with a comic mask; and Urania (astronomy) carries a pair of compasses and the celestial globe. Functions [ ]. The Muses,, and, by In society [ ] Greek mousa is a common noun as well as a type of goddess: it literally means 'art' or 'poetry'. According to, to 'carry a mousa' is 'to excel in the arts'. The word probably derives from the Indo-European root men-, which is also the source of Greek, English 'mind', 'mental' and 'memory' and Sanskrit ' [ ]. The Muses, therefore, were both the embodiments and sponsors of performed metrical speech: mousike (whence the English term 'music') was just 'one of the arts of the Muses'. Others included Science, Geography, Mathematics, Philosophy, and especially Art, Drama, and inspiration.

In the archaic period, before the widespread availability of books (scrolls), this included nearly all of learning. The first Greek book on astronomy, by, took the form of, as did many works of philosophy.

Both and the explicitly included philosophy as a sub-species of mousike. The Histories of, whose primary of delivery was public recitation, were divided by Alexandrian editors into nine books, named after the nine Muses. Melpomene and Polyhymnia,, Mexico Ancient authors and their imitators Muses when writing poetry, hymns or epic history. The invocation occurs near the beginning of their work. It asks for help or inspiration from the Muses, or simply invites the Muse to sing directly through the author.

Originally, the invocation of the Muse was an indication that the speaker was working inside the poetic tradition, according to the established formulas. For example: Sing to me of the man, Muse, the man of twists and turns driven time and again off course, once he had plundered the hallowed heights of Troy.

—, in Book I of ( translation, 1996) O Muse! The causes and the crimes relate; What goddess was provok'd, and whence her hate; For what offense the Queen of Heav'n began To persecute so brave, so just a man; [.] —, in Book I of the ( translation, 1697) Besides Homer and Virgil, other famous works that included an invocation of the Muse are the first of the carmina by, 's and, 's (Canto II), (Book II), (Act 1, Prologue), his 38th, and (opening of Book 1). From cults to modern museums [ ]. By Carlo Franzoni, 1819, depicting Clio. When arrived at, his first advice to the Crotoniates was to build a shrine to the Muses at the center of the city, to promote civic harmony and learning. Local cults of the Muses often became associated with springs or with fountains.

The Muses themselves were sometimes called Aganippids because of their association with a fountain called. Other fountains, and, were also important locations associated with the Muses. Some sources occasionally referred to the Muses as 'Corycides' (or 'Corycian ') after a cave on, called the. Referred to the Muses by the surnames 'Ardalides' or 'Ardaliotides', because of a sanctuary to them at said to have been built by the mythical. The Muses were venerated especially in, in the near, and in and the, where Apollo became known as Mousagetes ('Muse-leader') after the sites were rededicated to his cult. Often Muse-worship was associated with the of poets: the tombs of on and of and in all played host to festivals in which poetic recitations accompanied sacrifices to the Muses. The and its circle of scholars formed around a mousaion (i. e.

' or shrine of the Muses) close to the tomb of. Many figures sought to re-establish a 'Cult of the Muses' in the 18th century. A famous lodge in pre-Revolutionary was called ('The Nine Sisters', that is, the Nine Muses);,,, and other influential Enlightenment figures attended it.

As a side-effect of this movement the word 'museum' (originally, 'cult place of the Muses') came to refer to a place for the public display of knowledge. Modern use [ ] Not only are the Muses explicitly used in modern English to refer to an, as when one cites one's own artistic muse, but they also are implicit in words and phrases such as 'amuse', 'museum' (Latinised from mouseion—a place where the Muses were worshipped), 'music', and 'musing upon'. In current literature, the influential role that the Muse plays has been extended to the political sphere. Along with a majority of the Greek Gods, five of the Muses (Thalia, Clio, Calliope, Melpomene and Terpsicore) appeared in the animated film (based on ), where they narrate the film through gospel-inspired song and dance. These versions of the Muses are modeled after. All nine muses appear in the 1980 film, with actress as Terpsicore. All nine Muses appeared in several paintings in the 72-piece art collection of Dante's Inferno by Dino Di Durante, which is printed in books titled Inferno: The Art Collection and available in 33 languages.

This said collection was also featured in the medium length film Dante's Hell Animated by Boris Acosta. Gallery [ ] •.