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•: Most notably in seasons one and four, where the conflict of Tommy versus a member of the family (first Ada, then Polly) is highlighted. • • • • /: The Shelbys don't always treat each other well, but God save you if a non-family member hurts anyone. •: All of the Shelby boys also have them, but Tommy's get the most attention (belonging to, you know, ). Michael has them as well, specifically marking him as a Shelby.
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•: Extra-legal activities, gambling, and violence seem to be common in the Shelby family. Tommy: I think you're the first Shelby in history to have a legal license for anything. What would our granddad say, eh? He'd turning in his grave—'Honest bloody money? In this house? • A love of horses too—shared by Tommy, Arthur, and Michael. •: Season 2 has the Shelbys as this, learning to navigate in the world outside Birmingham.
With their jump into high society in season 3, the question becomes 'how much can you really change your own nature?' , if you have all the money in the world and none of the respect. •: Well, siblings plus an aunt. After you add a cousin and some sisters-in-law to the mix, it's more.
— Aunt Polly to Ada The second of the Shelby brothers, Thomas is nevertheless of the Shelby family and the Peaky Blinders. •: As of season three.
•: Tommy, in varying degrees, to John, Ada, and Arthur (even though Arthur is older than him). • /: He suffers from them frequently, thanks to PTSD from WWI. •: In 3.06, Charles' kidnapping pushes Tommy over the edge into believing that it was Polly, Michael, Linda, or Esme who betrayed him. It was none of them, but he doubles-down at the end of the episode and has Arthur, Michael, John, and Polly arrested, convinced that the 'deal' he's supposedly made with more powerful people than their enemies will save them.
•: He is the brains to Arthur's brawn. •: A villainous example. Brooding, cunning and very charismatic but also cynical, troubled, and a destructive force to those around him. •: Tommy manipulates everyone, and there are few people inside or outside the family that do not find themselves caught in his plans.
•: Particularly when he wants to out-crazy an opponent. •: To be fair, Tommy's plans usually involve out of necessity, but it doesn't change the fact that he enjoys playing with the lives of others.
•: Falls for Grace, a spy for the police, in season one. Ends up marrying her in season three. •: With a gun to his head, even. •: Of the Shelby clan. He gains this position because he's good at it, despite not being the eldest brother. •: Tommy has undertones of this to the residents of Birmingham.
Most notably in the very first episode, before we even see him, the people of Chinatown are seen scattering in terror as news spreads that Thomas Shelby is riding down the street towards them. Tommy: It's not a good idea to look at Tommy Shelby the wrong way. He makes disparaging comments about Polly and Ada running the business now that he and the men are back from, but this might be more because he thinks he personally should be in charge rather than he thinks men in general should be. When his own sovereignty is not being challenged, he's respectful of Polly and Ada's abilities, and speaks to them in exactly the way he does to male members of the family, also treating female employees similarly to male ones. • He also appears to be well ahead of his time in his attitude to gay people; in Season 2, Ada offhandedly outs one of her housemates as gay to him while the man is standing right there, much to the man's dismay and fear (since homosexuality is a criminal offense at this time). Tommy politely introduces himself, says it's a pleasure to meet him, and shakes his hand. •: Tommy is the Ego, to Arthur's Id and John's Superego.
•: In season 1, he's an opium addict to cope with what he saw in WWI. He does it at night before going to bed, so he's sober again by morning, and he functions quite well. He seems to have dropped the habit by the time season 2 picks up, but relapses in 3.05 after his skull fracture requires the use of morphine and opium. He breaks the habit a few months later. •: For most of season 2, at least until Grace shows up again. Comes back with a vengeance after Grace is killed.
•: It's been pointed out that Tommy is as self-loathing and self-sabotaging as he is brilliant, making things worse with what he believes is the right course of action. Michael: (to Polly) [Tommy] falls apart without you. •: Thomas Shelby has been, in order, shot through the chest, brutally tortured and numerous teeth yanked out, beaten half to death, and sustained internal bleeding, multiple broken ribs, and a fractured skull. He has survived all of it, able to heal himself and come back at fighting strength. •: According to Polly, Tommy used to sleep outside all the time as a boy, and claims Curly would find him out in the barn nearly every night in the summer.
•: Embraces this aspect of himself in season three, when it becomes clear that he and the family are in over their heads with enemies of a much higher caliber than they are. Ironically enough, Polly, who once praised Tommy for having aspects of this in season one, now finds herself disgusted to the depths which he's sunk. Polly: Tommy knows, he knows you have to be as bad as they are in order to survive. You can beat up Arthur and John (and even Ada, to some degree) all you like, but the moment Finn is threatened, Tommy loses it. • Becomes one for his son Charles in season three, to such extremes in 3.06 that he blows up a train, finishes the tunnel under the Thames himself, and allows Michael to murder Father Hughes to get Charles back. •: Swan-dives off the deep end after Grace is killed, breaking nearly all of his former rules of conduct and threatening to torture old Vincente Changretta for ordering the botched hit.
•: Almost all the men were in WWI, and none of them came back the same. Grace: What was he like, before France? Polly: He laughed. He wanted to work with horses. •: Series 4 revealed that he was heartbroken when his girlfriend Greta Jarossi died before he went off to fight in WWI.
Her loss and the trauma of the war are said to have changed him irreversibly. •: Because of his status, Tommy is quite unflappable as he has often seen and experienced worse.
Threatening his family is still very much a to him though. •: As, Tommy's rage frequently runs cold rather than hot. •: Tommy is the protagonist of the story, but he is also an ambitious mobster trying to forge a great criminal empire out of his street gang.
•: Tommy, as it turns out, would sell out his own family to try and come out on top. — Aunt Polly to Grace The Shelby brothers' aunt, and the matriarch of the family. She ran the business when the men were fighting in WWI. Upon their return, she settled into and. •: Tommy is the only one of the Shelbys who even remotely tries to go head-to-head with Polly. •: Everyone drinks like fish in this family, but if Polly is feeling particularly nihilistic, she can climb into the bottle.
We see this in both season two and three. •: To Tommy's credit, he does acknowledge Polly's contributions within the gang, and the members all support (and even revere) her.
Download Da Musica Do Tihuana Tropa De Elite. Despite that, much of Polly's efforts in running the gang during the war and keeping the books after go unacknowledged. •: What Campbell's rape does to her. She can talk a good game, but as we find out in season 3, she's heartbroken that she doesn't feel remorse over what she did to him. •: In the first two episodes of the second season, when she's dealing with her grief over her stolen children, specifically her daughter Anna's death. • Hits it again in 2.05, after Campbell rapes her, but pulls it out.
She's back in it for 4.01, after nearly being hanged and falling into mental illness and hallucinations. •: She pulls out a very long, very sharp hairpin to threaten Grace.
•: To Tommy, as the one who questions his plans, operates as the legitimate treasurer of the business, and will take over if he's unable to lead. •: You know Polly's stressed out when she starts making wisecracks. •: Seems to have gone sailing over hers after Tommy left her - and Michael, Arthur, and John - to die at the end of 3.06. Polly goes a bit mad for a while, before pulling herself together to protect her son, save the rest of the family, and in 4.03, cut a deal with Luca Changretta selling out Tommy in exchange for Luca calling off the death orders for the rest of the Shelbys. •: Has moments of incredible defensiveness and self-loathing, and as demonstrated with Esme and Reuben, if you try to show her sympathy, she tends to lash out viciously. •: While she's not quite evil, she's still a gang leader who will kill for revenge, or to protect her family. •: She spends most of season 2 trying desperately to keep Michael out of the family business.
In 2.06, he chooses to reject her offer of a payoff and stay to be and handle all the legal side of the finances. Polly: I do the things I do so that my son never has to do them. •: She holds the family together. Tommy and Ada both love and respect her, even when they don't love or respect each other. •: Polly, in an interesting gender-flip on the trope, is Reuben's.
She doesn't think a normal and well-adjusted aristocrat like him would ever truly be interested in her beyond an affair. •: Don't fuck with her, or you'll find yourself on the business end of her gun. •: Polly comes home after a very eventful night (including opium, whiskey, and pulling a pretty young thing) to find a boy on her doorstep. He's her long-lost son Michael.
•: Her name is Polly Gray, Gray being her married name from a dead husband that nobody—even her—seems to have liked. She is still referred to as Polly Shelby, as this is both her maiden name and the family she's notorious for.
•: Mostly for Ada and Michael, with shades of it for her nephews too. She even goes after Tommy first for burning Ada's letter to Freddie and then actually attacks him when she thinks he broke his word and gave Freddie up to the police. Tommy: Tell Polly she's in charge until I get back. If I don't come back, tell her she's in charge for good.
•: The siblings' own mother is dead, and so Aunt Polly acts as such to them. •: Polly both plays the trope straight and averts it. Her rape by Campbell is the deciding factor for the Shelbys to take out Campbell once and for all, and Polly's murder of him is portrayed as 'justice'. Polly herself certainly never mourns or regrets the act, and the murder does gain her more agency.
But Polly has always taken an active role in the family business, even designating herself as the one to deal with Grace's treachery, and it's highly probable that Polly is capable of murder without rape as a motivator. •: Polly was never unattractive, but in season three, she's out of her everyday dresses and in ballgowns and diamonds. She turns every head at both Tommy's wedding and the Shelby Foundation Dinner. •: She was much too hot-tempered and low-class for this in seasons one and two, but in season three, she's had to appear much more stoic and regal. •: Absolutely does not forgive Tommy for what he did to the family, but in 4.02, she is convinced to call a truce with him in light of the threats made by the Black Hand against the Shelbys. •: Polly's been avoiding sex ever since Campbell raped her, and with good reason.
When she and Reuben finally sleep together and Reuben accidentally places his hand around her neck, Polly flashes back to the rape and pulls away, begging him not to touch her in that place. — Aunt Polly to Tommy Arthur Shelby Jr. Is the eldest brother, and of the Shelby family and Peaky Blinders. •: Arthur has quite a low, growly voice. •: The only one of the brothers with facial hair. •: Mostly with John, but sometimes Tommy too.
•: Particularly in the scenes in the Eden Club in season 2. •: He is the brawn to Tommy's brains. •: Physically imposing and powerful, no trouble with the ladies, prestige due to his family name and alcoholism, depression, suicidal ideation, a vicious case of PTSD from WWI, and (in season 2), severe blackout rages,. •: He attempts to hang himself with a skipping rope during a drunken bender after it becomes clear that Arthur Sr.
Doesn't love him and has tricked him out of several hundred pounds. The rope snaps, however. •: Lampshaded by Aunt Polly in his quote. Arthur: Drawing. I used to be good at drawing. I used to draw horses.
Great big ones. They looked real. I should have listened more in class. I should have done more with my life, John.
•: Arthur is the Id to Tommy's Ego and John's Superego. •: To Linda, a Quaker, in season three. They're also expecting a baby. •: Between the three brothers, Arthur is the most emotional, and in seasons 3 and 4, the most expressive in how much he cares about Tommy and John. •: He's much more like his father than he wants to be. •: Arthur and Grace strike one up when they begin running the Garrison. Arthur speaks to her like more of an equal than a simple barmaid or secretary would be, and Grace teases him about his terrible head for numbers.
They continue to affectionately tease each other in season three. •: Tommy has put the war behind him. John has his wife and children to focus on. Arthur has nothing, and is still haunted by the war.
•: Mostly in the first season. •: Arthur's the eldest brother, but not the head of the family. The job becomes Tommy's only because he's undeniably better at it than Arthur.
This understandably makes Arthur feel like crap. •: In season three, Tommy constantly makes Arthur choose between his newfound morals and wife Linda and the Peaky life involving sex, drugs, and murder all in the name of family ambition. •: Unlike Tommy, he still admires and seeks the approval of their father. Tommy: I've already bethrothed you, so if you back out now, there's gonna be one fucking mighty war breaking out here, that's gonna make the Somme it's gonna make the Somme look like a fucking tea party.
But if you marry her, our family and the Lee family will be united, forever, and this war will be over. •: With six kids and numerous times being caught with his pants down, someone find this kid some condoms. •: John and Lizzie Stark seem to be on pretty good terms by the end of season 2, considering that he called off their engagement in season 1 because she was still secretly working as a prostitute.
•: Mostly with Arthur, but sometimes Tommy too. •: A bit darker kind than his brother Arthur, but no less badass. •: Whenever some targeted shooting is required, John and his rifle are called upon. •: In season 2, John has become this to Tommy. He feels that Tommy's plans for expansion to London are foolish when they're already making so much money, and believes he should have more control over day-to-day operations.
•: John is the Superego to Arthur's Id and Tommy's Ego. •: John has 4 kids from his first wife, and 1 by Esme. We see Esme's baby once at Freddie's funeral; we know one of the kids is named Katie and that's it. Finn is always around, but John's kids never are. •: When he fights. •: His brothers often call him 'John Boy'. •: He loves chewing on his toothpicks.
•: For the better, really. John finally cracks in 3.03, when he can't take Tommy treating him and Arthur like foot soldiers and ignoring the usual code to punish the Changrettas. John screams at his already grieving brother, and along with Arthur, refuses to let Tommy torture Changretta or kill Mrs. •: For the first two seasons.
He cites them as the main reason he needs a wife. John: Aunt Polly, you know what it's been like since Martha died. [] Truth is, my kids have been running bloody rings around me. Running barefoot with the dogs until all hours. [] What the kids need is a mother.
So that's why I'm getting married. •: The Black Hand assassinate him in front of his own home to prove how serious the threat against the Shelby family is. •: Is becoming incredibly reckless and hot tempered in season three, culminating in when he gouges Angel Changretta's eyes out for daring to date Lizzie.
— Ada to Tommy The Shelbys', a widow, with a young son. She lives in London, and tries to distance herself from her family, with limited success. •: Turns into one after her son Karl is born. •: For all of the anger and resentment between her and Tommy in season 1, in the following seasons, she keeps in contact with the Shelbys, allows Tommy to stay with her in London, and seems to have taken up residence in Tommy's Warwickshire house to be his personal secretary after Grace dies. • /: The Peaky Blinders might be our main characters, but they're very much bad men. Ada wants to be legitimate and disassociated from them.
She's working in a library in season three. Tommy: You're bored. You used to chase rats with a revolver, Ada! •: While her ploy of placing baby Karl in the way of the firing line between the Peaky Blinders and Kimber's gang was successful in warding off both sides from shooting at each other, she clearly didn't count on Kimber himself being just that heartless and gleefully using the opportunity to shoot and kill Danny and wound Tommy. •: Ada really, really shouldn't be sleeping with Freddie Thorne, nor should she become pregnant from this liaison.
Naturally, she does. •: She might not want to be one, but she is. Lampshaded by Freddie in 1.01.
John: Oi, Finn, go stick your head in a bucket. •: His actor from series 2 onwards, Harry Kirton, is from Birmingham and has said that on set he is sometimes asked to check for errors his castmates make with the Brummie accent.
•: Considering his family, he's really quite innocent as an 11-year-old in season 1. He's grown up a lot by season 2. Enforced by actor age. •: Polly is one for all the Shelbys, but if you do the math, she's the only mother Finn has ever known. This manifests with Finn being incredibly obedient to her and defending her to the others. •: He's a Shelby brother, but he's too young to do much.
His jobs rarely include more than carrying stuff. •: Doesn't really have too much to say, and seems to talk mostly to Arthur and John. •: He's a good decade younger than his other siblings. •: In season 1, Finn is a 11-year-old participating in gang warfare, racketeering,. He's rarely an active participant, but he's always around and he certainly knows what's happening.
Finn's no longer a child in season 2, but having a 13-year-old snorting cocaine and giving it to his older brother as well is rather unsettling. Tommy: There's a girl in the Lee family who's gone a bit wild, and she needs marrying off. [] A girl who needs a husband; a man who needs a wife. •: Subverted.
For all her ideas and reading, Esme is still seen as little more than John's wife and the mother of his children. •: She may have a little in her, as Polly suspects. •: Downplayed. Esme isn't overtly sexual, but she is quite pretty. John gets behind the idea of marrying her once he sees her. •: To just about everything. Esme hates that Tommy and the family have a hold on John, hates that Polly is the alpha bitch of the family, hates that she can't go traveling anymore, and doesn't mind letting you know it.
•: Frequently tries to undermine Tommy, mouths off to Polly, and would like nothing more than for John to listen to her instead of his family. •: All of Esme's vocabulary is from books, so she speaks in a flowery, overly formal way in public. •: Tries to be a voice of reason for John, but his ties to his family may run deeper than his commitment to Esme. — Michael to Tommy Polly's eldest and only surviving child, taken from her when he was 5.
Jumps at the chance to be a Shelby, once he's returned to the family. •: His introduction complicates the already-fragile relationships among the Shelbys. In particular, John and Polly square off on whether or not allowing Michael to participate in the less-legal side of the business is a wise idea.
•: Has quite a bit of sex with a London girl at Tommy's wedding, and sees her often afterwards. In 3.05, we find out that Michael got her pregnant, and they're both panicking; Michael upon dealing with her family (who look down on the Shelbys and have affianced her to someone else) and Charlotte wanting an abortion. •: Deconstructed with Michael. He wants something more exciting than the pretty little village where he grew up, and the Shelbys are certainly that. But he's also visibly taken aback by the grimness of Birmingham.
Still, he goes home, and then once he's 18, he chooses to come back. •: In the sense. Like his mother, Michael handles many of the financial aspects of the company.
Unlike her, he deliberately keeps himself far away from the more illegal doings.