Populous: The Beginning Stuart Whyte Richard Leinfellner Peter Blow Alex Cullum Ken Malcolm Dan Riley Alan Wright Steven Brown James Leach Jon Rennie Series, Release Microsoft Windows •: November 30, 1998 PlayStation •: March 31, 1999 •: July 20, 2000 Mode(s), Populous: The Beginning is a and is the third entry in the video game series, developed. The game was released in 1998 on, and in 1999 for the. Unlike earlier games in the series, which cast the player in the role of a god influencing loyal followers, The Beginning took a radical departure and placed the player in the role of a, who directly leads her tribe against opponents.

Throughout the twenty-five missions of the campaign, the player leads their tribe across a, dominating enemy tribes and tapping new sources of, with the ultimate goal of the shaman attaining godhood herself. Populous: The Beginning was the first entry in the series to use; Bullfrog waited four years after so that the graphics technology could catch up to their vision for a new and different game in the series.

The developers considered the addition of terrain deformation and manipulation, combined with 'smart' villagers who automatically attended to tasks, to add an entirely new dimension to the series. The game's original title was Populous: The Third Coming before being changed prior to the. Populous: The Beginning plays very differently from earlier titles and received mixed reviews. Critics noted the excellent graphics, while complaints were directed at the and the indecision in game design between being a title and a god game.

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's Peter Olafson wrote that Populous: The Beginning was a good game but was 'without a quintessential quality that defined Populous.' The game's three-dimensional graphics engine allows the player to zoom out to see the entire world In Populous: The Beginning, the player controls a female shaman and the tribe which follows her. Unlike the previous games in the series, The Beginning allows the player to directly control the action of followers, by ordering them to build structures or attack enemies. In the campaign, the player must fight the opposing Dakini, Chumara and Matak tribes for dominion over the. Enemy tribes also have shamans, and on later levels all inhabit the same world. While the objective is almost always to eliminate all of the members of the other tribes, there are often specific ways this can be achieved.

Sometimes the player must use magic spells gained from worship at special monuments such as stone heads or 'Vaults of Knowledge'; in other cases, the player only needs to overwhelm the enemies with superior numbers. The game has no formal; new units are created automatically at houses, and training new troops costs nothing except. Only wood from trees is required to build new structures.

The game is played from a perspective with the camera at a variable height and capable of rotating 360°, enabling the player to quickly move across the planet's terrain. While the terrain's topology is a, the map is locally projected onto a sphere to give the illusion of a planet. On maps where there is no, players can see what opponents are doing at any time.

Extensive support for 3D acceleration enables the player to view the game in 16-bit or 32-bit colour. The landscape and real-time structure building and follower movement are also shown. A tornado cast by a shaman rips apart enemy buildings The player commands different types of followers, each of which has advantages and disadvantages in combat. The most basic unit is the Brave, which builds huts, towers, and military buildings.

Braves are trained to become other units: tough melee Warriors; weak, long-range, Firewarriors; Preachers, who convert enemy units and prevent enemy preachers from converting friendly troops; and Spies, who perform espionage functions. Shamans are physically weaker than warriors, but can cast powerful spells and can be reincarnated if killed. Some spells will disappear after use. Other spells can slowly be replenished for continued use; the rate of spell regeneration depends upon the player's number of followers. Examples of spells include 'Landbridge', which raises the sea floor to create bridges across the sea; 'Swarm', which sends a horde of insects to sow confusion in enemy ranks; and 'Tornado', which creates a cyclone to destroy buildings. There are twenty-six spells in total, which are slowly learned throughout the campaign. Populous: The Beginning supports multiplayer, either by connection (limited to two players),, or over the through an external matchmaking service.

Populous: The Beginning allows for a maximum game size of four players playing against each other. Plot [ ] Setting [ ] Populous: The Beginning does not take place on Earth. Rather, the game takes place in a of twenty-five unnamed planets before the events of the previous titles; however, the universe within the game is seemingly unconnected with reality. While many of the planets are predominantly dotted with trees, other worlds feature wildly different terrains, such as a volcanic world and a planet almost entirely covered by water. Ryuichi Sakamoto Cinemage Rar File. These worlds are inhabited by four human tribes, represented by their color: the green 'Matak', the yellow 'Chumara', and the red 'Dakini'.

The fourth blue tribe, controlled by the player, is never officially mentioned by name. Each of the tribes is generally hostile to one another, though alliances exist on some worlds.

The reasoning for the hostilities is never explained other than the starting cutscene stating that the other (non-player) tribes 'would destroy us'. While all the tribes are ruled by a single female shaman, no other females are seen in the game, except in; all the followers recruited in the game are male. In addition to the organized tribes are 'wildmen', neutral characters who cluster in groups around trees and water. Though they cannot attack or be attacked, players can use the Shaman's Convert spell to bring wildmen under her tribe's control. Story [ ] Populous: The Beginning takes place before the first two games in the series. The player controls the Blue tribe, pitted against the three enemy tribes which control most of the solar system.

The player's destiny as Shaman is to become a deity; only by defeating all the enemies in the system can the player's shaman become. The player begins on the planet furthest from the sun, and attacks each planet in sequence.

Along the way, the Shaman can learn new skills and magic to defeat her (usually) much more powerful enemies. Victory requires the player to either destroy the opposition, or on occasion perform special actions. The player loses if his or her Shaman is killed and there are no remaining followers, if the Shaman is killed and there is no circle of reincarnation, or the player runs out of time on timed levels. Upon beating back the other tribes, the Shaman ascends to, and further helps her people conquer the Matak, Chumara and Dakini in one final conflict. Development [ ] Populous: The Beginning was the first in the series developed with entirely.

The game was published more than four years after with developers stating the delay was due to waiting for the hardware specifications to come along enough that they would allow them to do something very different and new. Producer Stuart Whyte said of the work, 'We're really proud of what we've done in software because it does look really nice.' The Populous series inspired the term ', with players assuming the role of an omniscient being who lead his people to new territories or into battle. Alan Wright, the game's project leader, stressed both the departure Populous: The Beginning took from previous titles in the series, as well as distinguishing itself from similar games like. The elements of smart villagers and terrain-reforming, he said, 'adds a whole level of gameplay not found in those titles.'

Bullfrog representative Brian Allen asserted that these departures distinguished Populous: The Beginning from other real-time strategy games on the market at the time. In some aspects, the developers were forced to remove features due to technical constraints; for example, the 'Plague' spell from previous Populous titles was dropped because in practice the spell was too frustrating. Originally, the game was known as Populous: The Third Coming, but the name was changed by the time the game was shown in a fully playable beta form in late 1998.

The game was the first in the series to be made without Populous creator, who had left Bullfrog to create. The music was composed by, who had joined Bullfrog's team in 1997. Bullfrog released the Populous: The Beginning — Undiscovered Worlds in 1999. The expansion was only made available in the UK and US. The add-on offered twelve new single-player and twelve multiplayer levels, with a continuation of the storyline begun in the previous game, where the player takes on the role of a new shaman who must restore peace to the solar system.

Reception [ ] Populous: The Beginning (Microsoft Windows) Aggregate score Aggregator Score 80% (17 reviews) Review scores Publication Score 4.5/5 (Editor's Choice) 7.5/10 8.6/10 Populous: The Beginning received generally favorable reviews on release with some strong criticisms to follow. 's Ward Trent was especially smitten with the immersive 3D graphics. Stated, 'previous Bullfrog games have always placed gameplay above graphical finesse, but that's no longer the case.' 's reviewer Ron Dulin appreciated how The Beginning was a daring revamp of the series, instead of a safe, slightly modified sequel (like the earlier ). Computer and Video Games rated The Beginning as a 'better play' than the original.

Complaints about the game centered on the difficulty of controlling followers, the simplicity of gameplay, and the tension between game styles. The game's allowed followers to automatically construct buildings, but this led to problems directing them in the midst of a hectic battle. IGN noted that with the player's followers automatically going about daily life, the replay value was lowered even with the multiplayer options. Others agreed that the automation rendered gameplay too simple, with no upgrades or serious resource management, a sentiment expressed when they wrote that the missions 'become mind-numbingly repetitive'. Populous: The Beginning played very differently from earlier titles. Edge concluded that while the more rigid play format of The Beginning was new to the series, it had the effect of making the end result 'less show-stopping'; Edge believed that the game was caught between the and genres, and did not excel at either.

PCGamer subsequently decided the game failed to live up to the previous games in the series. More charitably, 's Peter Olafson wrote: ' Populous: The Beginning is not a bad game, in fact a good one; but it's a different game—one without a quintessential quality that defined Populous.' References [ ]. Archived from on January 5, 2011.

Retrieved January 5, 2011. Archived from on January 5, 2011. Retrieved January 5, 2011. • ^ Olafson, Peter (January 1, 2000)... Archived from on January 5, 2011. Retrieved September 7, 2007.

• ^ Dulin, Ron (December 11, 1998)... Archived from on September 30, 2007. Retrieved September 8, 2007. September 13, 2001. Archived from on January 5, 2011. Retrieved January 5, 2011.

• Johnson, Andy (September 22, 2010)... Retrieved April 25, 2017. • Bullfrog Studios, ed. (November 30, 1998). Populous: The Beginning Instruction Manual.. • ^ Bullfrog Studios, ed. (November 30, 1998).

Populous: The Beginning Instruction Manual.. • Bullfrog Studios, ed. (November 30, 1998). Populous: The Beginning Instruction Manual.. • Bullfrog Studios, ed. (November 30, 1998).

Populous: The Beginning Instruction Manual.. • ^ Ward, Trent (January 1, 1999).. Archived from on April 8, 2003. Retrieved 21 August 2016. • Bullfrog Studios, ed. (November 30, 1998). Populous: The Beginning Instruction Manual..

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'Populous: The Beginning'.: 134–135. External links [ ] • at • - a fan site.